Fernsworth: Juli 2011

Sabtu, 23 Juli 2011

[C864.Ebook] PDF Ebook The Auer Method: a Modern method for Targeting Chords and Pentatonic Mastery (Volume 1), by Brian E Auer

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This book will guide you to understand what happens when chords change, why you choose certain notes over certain chords, how modes are affected by chord changes, how chords are related to modes, and how to solo through chord changes on any part of the neck. It will set you up to have a firm grasp of targeting notes over the 1-4-5 Minor 12-Bar Blues which will set you up with the logic and concept to apply to all modes and all chord progressions. The rest will rely on your desire to learn a broader vocabulary of chords and scales, which are the words for creating musical statements. Learning musical and rhythmic phrases will put these words into sentences. My purpose is to help people understand some of the most commonly asked questions I get as a player and a teacher, such as: *How do I play over chords and sound melodic? *How do I target notes without chasing chords around the neck using the same old shape? *How do I know which mode to play over each chord? *How can I sound more musical when I play? These questions can be answered on a very complex level. Fortunately, I discovered a way of using the pentatonic modes to answer them all. And you can get those answers right here in this book. This book will also be valuable to guitar teachers as a curriculum guide and a method of practice.

Sales Rank: #291673 in Books
Published on: 2016-01-09
Original language: English
Number of items: 1
Dimensions: 11.00" h x .15" w x 8.50" l, .48 pounds
Binding: Paperback
60 pages

About the Author
Brian is a Teacher, Composer, performing artist and musical method developer (The Auer Method/ Guitartial Arts) with a wide range of expertise in several genres. Brian has been playing guitar for over 25 years and has an in depth study of music theory and its application on the guitar. He has prepared students in as little as 2 years to fully comprehend music theory to a level of receiving scholarships at Berklee. Brian teaches levels from beginner to advanced (professional). Brian's unique approach using The Auer Method, which he developed has been used to help hundreds understand the most complex theory in a simple and applicable manner.

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3 of 3 people found the following review helpful.
Best Method I Have Seen To Enhance My Guitar Playing
By Amazon Customer
Over the years I have had many instructional books and all of them have gone unused in time with very little added to my playing ability. After going through this book I have gained so much knowledge in understanding my options in soloing because let's face it every guitarist has felt that rut and one point in their playing where the constant repetitive solos begins to be maddening. This book opened my eyes to much more and I would recommend it to everyone out there.

1 of 1 people found the following review helpful.
When he writes in his introduction something like "no more randomly hitting notes and hoping they sound ...
By Daniel Allen
Mr. Auer has accomplished the impossible -- getting me to understand the theory and science behind the pentatonic and its various modes (who knew?) without making my brain hurt. When he writes in his introduction something like "no more randomly hitting notes and hoping they sound right" he is describing me pre working with this book. I've been the ultimate lead hack, just noodling around the neck, which is fine when playing background for a supportive wife, but embarrassing as hell when playing with other guitarists. I'm not yet Jeff Beck, but now I "get it" and there is now some method to what was previously just madness. Highly recommend.

1 of 1 people found the following review helpful.
The Auer Method!
By Amazon Customer
The Auer Method is giving me a solid foundation in regards to being able to target notes over chord progressions! I love this easy to understand manual. The information builds on itself until you are doing things you didn't think you were capable of. Also, I have always been confused by Modes. This book helps to take the confusion out of the theories! Thanks Brian Auer for writing this much needed book!

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Minggu, 17 Juli 2011

[R970.Ebook] PDF Download The Jews in Medieval Normandy: A Social and Intellectual History, by Norman Golb

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This is the first comprehensive account, based on manuscript and archaeological evidence, of the high Hebraic culture developed by the Jews in Normandy during the Middle Ages, and in particular during the Anglo-Norman period. The book explores the origins of this remarkable community, beginning with topographical evidence pointing to the arrival of the Jews in Normandy as early as Roman and Gallo-Roman times, and finally uses the rich manuscript evidence of twelfth- and early thirteenth-century writers. The text is illustrated copiously with maps and other illustrations, many reproduced here for the first time.

Sales Rank: #3682307 in Books
Brand: Brand: Cambridge University Press
Published on: 2012-08-30
Original language: English
Number of items: 1
Dimensions: 9.69" h x 1.30" w x 7.44" l, 2.53 pounds
Binding: Paperback
654 pages

Features

Used Book in Good Condition

Review
"Golb's massive study, the first exhaustive account of the Hebraic culture of the Jews of medieval Normandy, especially during Anglo-Norman times, will be a welcome addition to studies of Jewish life and culture during the Middle Ages." Choice

"Don't be put off by the scholarly tone of this work. Although it is a `social and intellectual history', it will have relevance to many readers. ...this work is a fascinating reading of materials hitherto unknown." Sybil Kaplan, National Jewish Post & Opinion

"Golb's new study presents a rich and variegated history of the Jews of medieval Normandy and England that will revlutionize our understanding of Ashkenazi Jewry." Steven Bowman, Religious Studies Review

"One the whole, medievalists in general, not only specialists in Jewish history, will find in The Jews in Medieval Normandy a well-documented, fascinating regional history. Golb skillfully presents the intricate scenario of medieval Jewish life in all its nuances, with demographics, society, politics, law, and learning woven together in a harmonious way." Speculum: A Journal of Medieval Studies

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Sabtu, 16 Juli 2011

[F799.Ebook] PDF Download TOM PETTY GUITAR CHORD SONGBOOK (Guitar Chord Songbooks), by Tom Petty

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(Guitar Chord Songbook). 40 of Petty's finest in one compact collection giving you just the basics you need to sing and strum. Includes: American Girl * Breakdown * Don't Come Around Here No More * Don't Do Me like That * Even the Losers * Free Fallin' * Here Comes My Girl * Into the Great Wide Open * Mary Jane's Last Dance * Refugee * Runnin' Down a Dream * Stop Draggin' My Heart Around * The Waiting * You Got Lucky * and more. 6 x 9

Sales Rank: #762331 in Books
Brand: Hal Leonard
Model: 699883
Published on: 2007-06-07
Released on: 2007-06-01
Original language: English
Number of items: 1
Dimensions: 9.00" h x .30" w x 5.88" l, .36 pounds
Binding: Paperback
96 pages

Features

Softcover240 pagesSize: 9" x 6"Artist: Tom PettyISBN: 1423418492

About the Author
Tom Petty and the Heartbreakers released their debut album in 1976. Petty has received numerous prestigious awards, including 16 Grammy nominations and induction into the Rock and Roll Hall of Fame. Petty was also a member of the supergroup the Traveling Wilburys, along with Bob Dylan, George Harrison, Jeff Lynne, and Roy Orbison. Tom Petty and the Heartbreakers' 2006 tour was one of their most successful ever. Tom Petty lives in Los Angeles.

Most helpful customer reviews

18 of 18 people found the following review helpful.
Quantity over quality
By RichSad
If you want a pocket-sized book of chords and lyrics, you will find this book useful. If you want more extensive information about the exact notes being played on recorded versions of these songs, you will be disappointed. I am a huge fan of Tom Petty and I own several song books with his music. This book has the highest number of songs, but limited detail on the different guitar parts and actual notes. This book is good for the campfire acoustic guitarist, but not appropriate for someone interested in really mastering the guitar work of Tom Petty and Mike Campbell.

10 of 10 people found the following review helpful.
Exactly as described
By Patric O.
The description of this book is dead on. It has 40 songs (much more than any other Tom Petty guitar book). That's great. It only features 3 things... a strum pattern, chords and lyrics. It is definitely aimed toward, as the other reviewer calls it, the "campfire" market. That's exactly what I wanted. I already have 3 other books that add levels of detail to pick up some of those amazing Mike Campbell solos or definitive licks (like the E 0-7-0-5-0-3-0 at the beginning of "Running Down a Dream"). If that's what you want, for God's sake, buy a guitar recorded versions book or the like. But if you just want to strum over 40 or so Petty songs, this book is perfect. Bonus is that it includes "Rebels" and "Woman in Love (It's Not Me)" - 2 of my favorite Petty songs (but omits "Straight Into Darkness" - my other fave).

1 of 1 people found the following review helpful.
i like books that are bigger and show the chord diagrams ...
By Robert D. Brown
this book very small and hard to read. also because its so small the chord diagrams are just at the top of the page . i like books that are bigger and show the chord diagrams thoughout the lyrics.

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Kamis, 14 Juli 2011

[D410.Ebook] Free Ebook Contaminated Soils, Sediments and Water:: Science in the Real WorldFrom Springer

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Volume 9 of the series presents 38 technical papers covering a wide range of environmental issues, including Bioremediation, Chemical Oxidation, Heavy Metals, MTBE, Phytoremediation, Radiation, Regulatory and Legal issues, Remediation, Risk Based Cleanup and Site Assessment. Contributing authors are drawn from across the spectrum of interest: government agencies, academic institutions, the consulting community and industrial companies.

Sales Rank: #6284225 in Books
Published on: 2004-10-01
Original language: English
Number of items: 1
Dimensions: 9.21" h x 1.38" w x 6.14" l, 2.20 pounds
Binding: Hardcover
611 pages

From the Back Cover

Increasingly in the environmental industry we are reminded how much we are part of the real world. Global economic pressures, geopolitical uncertainty, business ethics, and other world dynamics exert enormous pressure on our academic, industrial, governmental or consulting work venues. Yet, often these pressures have challenged us to produce scientific and engineering solutions that are more focused, cost-effective and readily implemented. The environmental remediation industry in general has responded well. Perhaps the growing alliance movement in business today is a signpost for another important opportunity. Collaborations enable entities to focus on what they do best and rely on others to do the same. Such collaborations build trust and encourage more strategic thinking.

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Rabu, 13 Juli 2011

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Sales Rank: #5532830 in Books
Published on: 1994-05-01
Binding: Paperback

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Nominated for a National Book Critics Circle award, Where the Bluebird Sings to the Lemonade Springs gathers together Wallace Stegner’s most important and memorable writings on the American West: its landscapes, diverse history, and shifting identity; its beauty, fragility, and power. With subjects ranging from the writer’s own “migrant childhood” to the need to protect what remains of the great western wilderness (which Stegner dubs “the geography of hope”) to poignant profiles of western writers such as John Steinbeck and Norman Maclean, this collection is a riveting testament to the power of place. At the same time it communicates vividly the sensibility and range of this most gifted of American writers, historians, and environmentalists.

Sales Rank: #99089 in Books
Published on: 2002-04-09
Released on: 2002-04-09
Original language: English
Number of items: 1
Dimensions: 8.00" h x .60" w x 5.20" l, .62 pounds
Binding: Paperback
272 pages

From Publishers Weekly
Stegner's love of unspoilt nature and of the American West shines forth in these 17 graceful essays. This book by the Pulitzer Prize and NBA winner is a National Book Critics Circle Award nominee for criticism.
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
Western Americana and literary history by the Pulitzer-winning novelist. Now 80, Stegner here reviews his life in part, the West as writers have written about it, its landscape and the ever-changing effect of humanity upon it, and so on. Stegner believes that the West is finally coming into its own as a literary entity distinct from what eastern critics have found in it. Even so, he warns, ``without a more developed and cohesive society than the West, in its short life and against all the handicaps of revolutionary change and dispersion, has been able to grow--and without a native audience for its native arts--there may come a time in a writer's career when the clutch of the imagination will no longer take hold on the materials that are most one's own.'' That sentence points up Stegner's strengths and flaws: It digs into his subject of change and fragility both in landscape and citizenry, but does so in a voice more academic than earthy. Ever in search of the loamy detail, one reads through this collection of recent magazine essays and introductions to Stegner's own and others' books and finds less appeal to the senses than the wise overview, rich in itself but not rich in words. The best essay by far is a sigh-heavy memoir of his mother, ``Letter, Much Too Late,'' written some 50 years after her death, with her breath and heartbeat moved into the reader's own chest. Stegner's friendships with writers such as Walter Van Tilburg Clark and Wendell Berry ring with praise, as do his comments on John Steinbeck, Norman Maclean, and George Stewart. And one feels deeply rewarded by Stegner's wisdom about population shifts, the five or six main types of landscape, and his words about conservation, deadly dams, and the death of the desert. Absolutely worthwhile, but highly charged only here and there. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.

Review
“No one has written more or better about the West, past and present, than Wallace Stegner.”—USA Today

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6 of 7 people found the following review helpful.
Where the Bluebird Sings to the Lemonade Springs
By Catherine E. Crawford
What makes Westerners different from other Americans? How has western life amplified the way we think, act, and define ourselves across America? If you're intrigued by these questions, Wallace Stegner's Where the Bluebird Sings to the Lemonade Springs has some interesting answers for you. This book of essays takes its title from the song "In the Big Rock Candy Mountains," a ditty that romanticized the West as a garden of Eden fated to bloom in the opportunistic hand of man. But the real story, as Stegner reveals, has been different. And that story is one we need to know today.

Stegner loved the West and saw its true nature. So although he talks about the tragedies of western development, often brought on by politics and real estate boosterism, he also presents the West's triumphs, especially through environmental activism that preserved much western land. The book has three sections. The first recaps Stegner's childhood in the West, which earned him the authority to speak on the region. The second contains essays that explore how western culture developed. His comments on the cowboy's origins are fascinating, and his capsule history of conservation perfect for readers who want that subject summarized.

The final section deals with western literature and its writers, including Jack London, John Steinbeck, Mary Austin, Joan Didion, Walter Clark, Scott Momaday, Linda Hogan, and others. The essay "The Sense of Place" offers wisdoms about western living that resonate today. Stegner said we must stop raiding and running from the earth. We need to be quiet once in the while. And we need to develop a sense of belonging to--not owning--the land. This book is for readers hungry to live along those lines.

11 of 14 people found the following review helpful.
To Let Go the Color Green
By Heath Nieddu
As 2008 rolled to a close in the early days of December I gripped the steering wheel of a U-Haul truck as it shimmied through the plains on I-80, heading towards Wyoming, Utah, Idaho,and finally Oregon. Virginia and Florida were falling to my stern. Right before I left for our big move I read Stegner's "Angle of Repose." Maybe I left because of "Repose." Once I settled at my destination, Portland, I visited Powell's book store and purchased, "Where the Bluebird Sings to the Lemonade Springs: Living and Writing in the West." I'll make no pretensions about being able to impartially point out this anthology's strengths or weaknesses. My appreciation for Stegner's work is so profound my judgment is dimmed. I'm still in receive mode, and my thoughts float around digesting what I find.

Previously here, one reviewer retained sobriety and concluded that Stegner's Lemonade Springs was insular and xenophobic. I think there's some truth that Stegner's work had a geographic focus, and maybe a moral purpose, but that wasn't because he believed in the infallibility of the West, but rather because he loved it with its faults. Perhaps he felt his generation under-appreciated, or more likely, misunderstood his Western context. I think that the reviewer's analysis may have more weight if she were from the West, but being from Texas, maybe she was surprised by someone from outside the lone star state celebrating their home.

Stegner's work could be considered advocation, but it is also approachable from all corners because he was inspired by the good, and wounded by the bad. His precision in defining the rough, scrubby edges of his cultural landscape reveal more passion than desire for domination. Stegner not only attempted to define, but genuinely wanted to share whatever nuggets he felt he picked up along the way. Maya Angelou admitted to an audience in New York this year that she was a teacher who writes, and this is a sentiment expressed in Stegner's writing, as well as his years as a professor.

The sense of place is a strong backdrop, maybe too much so, but he also calms us with easy prose, allays our fears about the sometimes biographical nature of fiction, convinces us we're not alone in familial pain of a certain type, and provides lingering analogies about his art.

One question about his work for me that this volume didn't answer was his view of God and spirituality. He said he was, "not-so-Christian." At times he admired the Mormons, but not completely. He probably meant for it to be this way, not wanting to drift into the ambiguity of the Transcendentalists. I think that these lingering questions become the most important about his work: Did he believe that Nature, dominating the Western man's experience, was a reflection of something higher, or the end itself? Did he view his existence along an arch that began and ended in the arid desert, or did he see the Divine as he gazed across the Great Divide?
I don't think that it was his nature to give it all away, but he did give us Lemonade Springs: a literary gem, a completely engaging book, and a must-read for those interested in learning about living and writing in the West.

30 of 33 people found the following review helpful.
The American west.
By Wesley L. Janssen
"Easterners are constantly being surprised and somehow offended that California's summer hills are gold, not green. We are creatures shaped by our experiences; we like what we know, more than we know what we like. ... Sagebrush is an acquired taste."
Stegner taught writing at the University of Wisconsin and at Harvard, but he had a strong sense of place and his place was the West. He accepted a position at Stanford University where he spent many years, and became, what many consider to be, 'the dean of Western writing' (by which we do not mean that he wrote "Westerns"). In this volume, Stegner sacks the Hollywood myths, and addresses the far more fascinating realities of the West. Featured here is a studied and caring investigation of what lies between the 98th meridian and the Pacific Ocean; of the land's great beauty and vulnerability to human foolishness. The compilation of essays also includes the author's reflections on his own life and work in the West, and examines critically the work of several significant literary "witnesses" of the American West. He reminds the reader of what criticism is: "A critic ... is not a synthesizer but an analyzer. He picks apart, he lifts a few cells onto a slide and puts a coverglass over them... His is a useful function and done well, ... may even give the reader the illusion of understanding both the product and the process. But ... whatever they can analyze has to be dead before it can be dissected ... critical analysis explains everything but the mystery of literary creation."
If you enjoy the works of John Steinbeck or Norman Maclean, or the powerful but fragile beauty of western lands, the essays collected in the Lemonade Springs are highly recommended.

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